It’s time for a period drama giveaway!
Willow and Thatch has added Best Period Dramas: Interwar Era to The Period Films List. To celebrate, one winner will receive fourteen period movies on DVD that take place between 1918 and 1939.
Included are classic period films and mysteries, as well some bigger name theatrical releases that are set between the First and Second World Wars.
You’ll get two chances to win when you share any post from the Willow and Thatch website on any of your social networks. Just leave a comment here saying which post you shared where, and why.
If you want just one chance to win, leave a comment below without sharing a post. (But why not share? Not only will you have another chance at winning these period dramas, but you will help spread the word about Willow and Thatch. Thank you <3)
The giveaway is now closed and Erika M is our winner! Thanks to all who entered, and please enter our future giveaways.
A couple of these DVDs are new-in-wrap, the others are from Willow and Thatch’s library and have been gently watched.
The winner will be chosen randomly. Open to residents of the United States only, aged 18 and older. See the Official Rules. Contest closes May 31, 2017 11:59 EST and the winner will be announced here June 1st. Good luck!
Below are the historical, period and costume drama titles you could win. When you are done here, you’ll want to wander over to the growing list of Interwar Era Period Dramas in The Period Films List.
Ultimately, the truth can only be decided by one person Anastasia’s grandmother, the Dowager Empress.Anastasia is adapted from the popular stage play by Marcelle Maurette. The scene is Paris in the 1920s.
“Ingrid Bergman won a second Oscar for this Hollywood-style melodrama of mystery and romance, playing an amnesiac refugee who may or may not be the real survivor of the Russian royal clan.” – Emmanuel Levy
Starring Ingrid Bergman, Yul Brynner, Helen Hayes, Akim Tamiroff, Martita Hunt.
Not rated.
From the award-winning director of Pride and Prejudice comes a stunning, critically acclaimed epic story of love. When a young girl catches her sister in a passionate embrace with a childhood friend, her jealousy drives her to tell a lie that will irrevocably change the course of all their lives forever. The film critics hailed “the year’s best picture” (Thelma Adams, US Weekly).
Set during the Interwar era and during the Second World War.
Starring James McAvoy, Keira Knightley, Romola Garai, Saoirse Ronan, Vanessa Redgrave.
Rated R
In 1930, while building one of the world’s largest aviation companies, Hughes produces Hell’s Angels, a perfectionist’s homage to World War I flyers. The man who eventually produces almost 30 films shocks society with The Outlaw, starring buxom Jane Russell, builds the world’s largest airplane, sets the world speed record and invents the half-cup bra.
“From Hollywood’s legendary Cocoanut Grove to the pioneering conquest of the wild blue yonder, Martin Scorsese’s The Aviator celebrates old-school filmmaking at its finest. We say “old school” only because Scorsese’s love of golden-age Hollywood is evident in his approach to his subject–Howard Hughes in his prime (played by Leonardo DiCaprio in his)–and especially in his technical mastery of the medium reflecting his love for classical filmmaking of the studio era. Even when he’s using state-of-the-art digital trickery for the film’s exciting flight scenes (including one of the most spectacular crashes ever filmed), Scorsese’s meticulous attention to art direction and costume design suggests an impassioned pursuit of craftsmanship from a bygone era; every frame seems to glow with gilded detail.
And while DiCaprio bears little physical resemblance to Hughes during the film’s 20-year span (late 1920s to late ’40s), he efficiently captures the eccentric millionaire’s golden-boy essence, and his tragic descent into obsessive-compulsive seclusion. Bolstered by Cate Blanchett’s uncannily accurate portrayal of Katharine Hepburn as Hughes’ most beloved lover, The Aviator is easily Scorsese’s most accessible film, inviting mainstream popularity without compromising Scorsese’s artistic reputation. As compelling crowd-pleasers go, it’s a class act from start to finish.” –Jeff Shannon
Starring Leonardo DiCaprio, Cate Blanchett, Kate Beckinsale, John C. Reilly, Alec Baldwin.
Rated PG-13
Changeling is a powerful film, with a realistic period feel, a wonderfully muted vibe and color palette, and an understated score by Eastwood himself. –Sam Graham
Rich in authentic-looking period detail and punctuated with powerful acting, Eastwood’s tale holds you in its firm, grim grip. – America Profile
Starring Angelina Jolie, John Malkovich, Jeffrey Donovan, Michael Kelly, Colm Feore.
Rated R
Set beginning in 1919.
“In voice, manner, patrician charm and private torment, Kevin Kline is perfection as legendary composer Cole Porter.” – Rolling Stone
Starring Kevin Kline, Ashley Judd, Jonathan Pryce, Kevin McNally, Alan Corduner, Sandra Nelson, Keith Allen, James Wilby, Kevin McKidd.
Rated PG-13
“George Stevens’ sprawling adaptation of Edna Ferber’s best-selling novel successfully walks a fine line between potboiler and serious drama for its 210-minute running time, making it one of the few epics of its era that continues to hold up as engrossing entertainment across the decades. Giant opens circa 1922 in Maryland.”
“An excellent film which registers strongly on all levels, whether it’s in its breathtaking panoramic shots of the dusty Texas plains; the personal, dramatic impact of the story itself, or the resounding message it has to impart.” – Variety
Starring Elizabeth Taylor, Rock Hudson, James Dean, Carroll Baker, Jane Withers, Chill Wills, Mercedes McCambridge, Dennis Hopper.
Rated G
“If you can suspend disbelief and let yourself be drawn into the movie, you’ll be rewarded with an emotional and heart-warming experience that will have you cheering.” – Radio Times
Starring Robert Redford, Robert Duvall, Glenn Close, Kim Basinger, Wilford Brimley, Barbara Hershey, Robert Prosky, Richard Farnsworth, Joe Don Baker, John Finnegan.
Rated PG
The production values are characteristically sumptuous, William Daniels’ photography is lustrous, and Boleslawski directs with suitable flair. – Time Out
Wonderful scenery, great performances and a superb story. – Daily Mirror
John Curran controls the redemptive spirit of Somerset Maugham’s book with merciful restraint, and gets excellent performances all round. – Independent
Starring Naomi Watts, Edward Norton, Liev Schreiber, Toby Jones, Diana Rigg.
Rated PG-13
“… honest and affecting… a period piece that uses generic conventions only when they apply, so that we see the Depression through the eyes of characters who are allowed to be individuals. Whatever Addie and Moses do in this movie, we have the feeling it’s because they want to (or have to) and not that the ghost of some 1930s screenwriter is prompting them.” – Roger Ebert
Starring Ryan O’Neal, Tatum O’Neal, Madeline Kahn, John Hillerman, P.J. Johnson, Jessie Lee Fulton, James N. Harrell, Lila Waters, Noble Willingham, Bob Young.
Rated PG
ONE, TWO, BUCKLE MY SHOE — A chivalrous gesture leads Poirot to the identity of a murderer.
MURDER ON THE LINKS — On a holiday in France, Poirot gets drawn into a case that he finds eerily familiar.
DEATH IN THE CLOUDS — Poirot is flying home to London when a fellow passenger dies mysteriously.
Not rated.
“What a lovely, murderous romp.” — San Francisco Chronicle
Starring Richard O’Callaghan, Frederick Treves, John Shrapnel, Joyce Redman, Bernard Hill.
Not rated.
Starring Vincent D’Onofrio, Renee Zellweger, Benjamin Mouton, Ann Wedgeworth, Harve Presnell.
Rated PG
If you enjoyed this post, be sure to visit The Period Films List, after you enter the giveaway.